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Everyone's favourite pickpocket prostitute is back and this time she's Alex Kingston. Well, it was 1996 when the future River Song starred as Moll Flanders in an ITV series based on Daniel Defoe's 1722 novel. Kingston, as she was destined to be on Doctor Who, diminished her character with broad mugging but I liked the supporting performances by Daniel Craig and Diana Rigg.

Craig plays Moll's third husband, the one she really falls for. Despite the fact that this was long before he became James Bond, his role was beefed up so that he could appear in all four episodes of the series and thus take second billing. Rigg plays the mother figure Moll tragically encounters in Virginia and she's also quite good.

Unfortunately, it's Kingston at the rudder for the duration and her broad, winking performance, along with several of her costars' similar performances, sap the story of much of its complexity. There's little ambiguity as to whether Moll's path was of her own choosing or one inevitably laid out for her by society and circumstance, though much of the dialogue nods in that direction. Kingston even looks directly at the camera at moments and insipidly asks, "What would you do?"

It is admirable just how much of the story is adapted, though. Fans of the novel will find things to appreciate.
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Sunday brought a nice new episode of The Laura Moon and Mad Sweeney Hour, also known as American Gods. This is a good time to brush up on your Daniel Defoe--Saturday's Doctor Who made reference to Robinson Crusoe and the American Gods episode was almost a straight adaptation of Moll Flanders.

Spoilers after the screenshot



At this point, Laura (Emily Browning) and Shadow have a lot of catching up to do if they want to rival the chemistry between Laura and Mad Sweeney (Pablo Schreiber). Apparently the two have something that goes back generations, though Emily Browning playing both Laura and eighteenth century Irish immigrant Essie MacGowan is never explained. Neither is the fact that Sweeney, one of the wee folk, isn't at all wee. Instead, with this episode he goes from ornery bar fighter to Laura's strapping, tormented supernatural protector--and former king.



Like the title character of Moll Flanders, Essie works as a servant girl, a seductress, and a thief, and, like Moll Flanders' mother, she "pleads her belly" when sentenced to death in Newgate. Also like Moll, Essie ends up in the North American colonies and eventually becomes mistress of a plantation. Adam Kane directs his second episode for the series and gets some wonderful visuals with apple trees and dresses, though Browning's wig might have been more convincing.



Meanwhile, in the present, Laura and Mad Sweeney have an amusing adventure involving the theft of an ice cream truck. One which proves that Sweeney cares about more than his magic coin in a really sweet moment. Once this is all sorted, I wouldn't mind these two settling down to a life of actually selling ice cream.



I also really liked Fionnula Flanagan as both Essie's grandmother and the older Essie herself. The scene where Sweeney shows up at her death is really sweet.

Apparently I'm far from alone in spotting Essie's resemblance to Moll Flanders.

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