setsuled: (Doctor Chess)


Doctor Who is back and for real this time, not like those Chris Chibnell seasons. Last night, "The Star Beast" premiered, the first of three 60th anniversary specials, all written by Russell T Davies, the man who brought the show back in 2005 and ran it for a few seasons. Also back is director Rachel Talalay from the 12th Doctor era (2014-2017) lending the special a narrative coherence not seen since that time. And, of course, David Tennant and Catherine Tate have returned to star and they're both fantastic as ever.

I enjoyed the special though I was reminded as much of Russell T Davies' weaknesses as of his strengths. "The Star Beast" is flattered by its contrast to the messy 13th Doctor era but, taken on its own, it ranks with only average Davies episodes. One thing it's definitely not is a good starting point for people unfamiliar with Doctor Who.

It begins with a long recap of Tennant's final season and an explanation of why Donna can't be allowed to see too much of the Doctor. Even this is not enough for the new viewer not to be bewildered by gags like the psychic paper or references to various aliens in doll form.



The dolls were made by Rose, Donna's daughter and the first properly transgender character on the show, played by Yasmin Finney. Finney is fine but Davies' treatment has a Guess Who's Coming to Dinner feel to it, kind of hokey and awkward. Donna and her mother talking about Rose in the kitchen felt like something from a PSA.

I liked how Rose had a shed where she goes to be alone and make dolls and it's where she stashes the alien Meep. But on that note, it seems like we should've gotten more reactions from Rose as revelations about the Meep started coming. Maybe the show didn't have time because it was focusing on the Doctor and Donna, but it felt like Rose was set up to be more of a main character.

I like how her name ended up being a clue that paid off, though. It's the kind of loose thread that in the Chibnall seasons would've just been a mistake or a leftover from a sloppy rewrite. In "The Star Beast", it's a hint that makes sense of a big payoff.

The new TARDIS interior is pretty great. It's perfect for the anniversary.

"The Star Beast" is available on Disney+ in most of the world and BBC's iPlayer in the UK. In the US, all previous episodes of the revived era are on Max, formerly HBOMax, and unrelated to Cinemax. The classic era of Doctor Who is available on BritBox. Is this all confusing enough for you?

X Sonnet #1793

The signal cords connect to make a web.
A linen sky conforms about the giant eye.
An empty farm awaits no Johnny Reb.
Construction starts as girls deliver pie.
Synthetic suits were suited best for sand.
As travel north's rerouted south, we turned.
Our answer song enlarged a little band.
Of burning hair, the spirits quickly learned.
Returning faces wear a single coat.
Beyond the age of thirty-five was ten.
Plus four would make the man another goat.
And senseless lunches craft another win.
Returning hearts were doubled twice from space.
A cart of clothes could fill the wooden case.
setsuled: (Mouse Sailor)


Andor continues to impress me. Last night was the first in another three episode arc, this one written by Beau Willimon. So this one is primarily setup, introducing new characters and situations. In the process, the show once again feels like the first true expansion of the Star Wars universe in years.

There were two big guest stars this week, both having appeared in Star Wars movies before; Forest Whitaker and Andy Serkis.



Whitaker reprises his role of Saw Gerrara from Rogue One. The conversation he has with Luthen Rael was another fascinating development on the character of the Rebellion. First I liked the two of them dancing around who's responsible for Aldhani. It shows just how cautious Rael is with Saw, and with good reason. The second thing I liked about their dialogue is how vehemently Saw refuses to work with a Separatist. Of course, the character was introduced on The Clone Wars in which his sister died fighting the Separatists. But the dialogue also calls back to some of the great political episodes of The Clone Wars in which Padme reaches out to old friends among the Separatists, showing this conflict really is more complicated than good guys versus bad guys. Rael correctly points out that a Rebel effort can't be sustained with Saw's puritanism.



Serkis, meanwhile, plays Cassian's supervisor and fellow prisoner, Kino Loy, a far cry from Serkis' previous Star Wars character, Snoke. Unless he ends up being Snoke somehow, which would be kind of funny. But in the span of this episode, with all the security details and the dialogue among the prisoners, Willimon really makes this feel like a prison with a culture among its inmates and guards. I suspect it'll be the fact that Cassian keeps his mouth shut about Aldhani while in prison that convinces Rael not to have him killed.



I figure Vel and Cinta will have something to do with his escape. The brief dialogue the two have in this episode is really sweet and it occurred to me theirs is the first lesbian relationship between main characters in Star Wars. It's nice it doesn't just feel like a token inclusion, they really feel like they have something together that's really going to be tested by the war.

Andor is available on Disney+.
setsuled: (Mouse Sailor)


It was a cute little season finale for The Orville last night, possibly the series finale. It was a little odd following from a big, extravagant battle episode but I felt a little better about it when one character mentioned three months had passed.

This episode was written and directed by Seth MacFarlane and, despite the fact that it has a strong romantic comedy vibe to it, he faithfully maintains Isaac's emotionlessness throughout. Despite the fact that it's about him getting married to Claire.



Sometimes it almost feels like MacFarlane is playing a joke on the audience, especially during the wedding vows, when the best Isaac can still manage to say is that he prefers efficiency and seeks to avoid error. Claire says she believes, on some level, that Isaac really loves her. That's a lot of faith.



It was mainly a comedy episode, especially all the stuff with Bortus and Clyden. But, in addition to the surprisingly thoughtful stuff with Isaac, this episode also had a b-plot with the surprising return of Lysella (Giorgia Whigham). She's from a season one episode about a world driven mad by social media. Looks like she'll be the replacement hot party girl now that Charly's gone. This episode also featured a surprising return of season one's hot party girl, Halston Sage, at Isaac and Claire's wedding.



So it's nice to see MacFarlane stays on good terms with these young ladies, something that may bode well for his potential future relationship with Disney, and therefore a potential return of The Orville.

Lysella's story involves The Orville's version of the Prime Directive. The scenes where Kelly explains the nature of the Union confirms it is, essentially, Star Trek's Federation.

When she explained that reputation has replaced money in the Union, I wondered if maybe MacFarlane momentarily forgot that reputation is king on Lysella's world, too. Kelly needed to explain why the things in the Union were worthier of good or bad reputations. But those might have been tricky waters to navigate, which goes to show just how easy it is to slide into cancel culture.

I do hope Disney brings the show back. But more than anything, I'm hoping they took notes in the interest of improving their version of Star Wars.

Twitter Sonnet #1608

Surprising water waits in glowing glass.
Beneath the surface, ancient coins appear.
Competing kilts arrive in business class.
The scribble proved the map was insincere.
A dreaming woman plays the saxophone.
But ancient stones surpass the joys of sax.
Important time inscribed the fossil bone.
To ride the bull she paid a heavy tax.
A fragile glass supported yards of ore.
Recited spells were switched around the tube.
Reluctant phones would rarely ring for war.
A leading role designed a stagey cube.
Above, the palms resembled spiky clocks.
Another pack of guns has claimed the docks.
setsuled: (Mouse Sailor)


Last night's new Orville, written by Star Trek: Enterprise and Family Guy writer David A. Goodman, wove together four separate plots into a pretty satisfying piece of television. Maybe the weakest episode this season so far but it was not bad.

The ship hosts a diplomatic party from a fiercely matriarchal culture who expect all men to be treated as slaves. This is as good a premise as any but it ends up going nowhere. A few jokes about how Moclans are the opposite in their impression of the sexes come off a bit awkward coming after "A Tale of Two Topas".



Meanwhile, the crew also encounters a Kaylon capable of emotion. This leads to the inevitable question--should Isaac get an emotional upgrade? Those of us who remember how Data's emotion chip changed the character would probably all say, "No." Fortunately, this subplot's best moments are still about contemplating the nature of emotion, and whether or not Isaac's actions without the modification could be interpreted as emotionally motivated.



Throughout the episode, we see flashbacks to the Kaylon homeworld in ancient times, when a biological species created and owned the Kaylons as servants. Most of these scenes focus on a single family and their casual mistreatment of one Kaylon. I'm not quite sure what physical pain could mean to beings incapable of emotion and the fact that they seek revenge for it seems evidence enough in itself that they in fact do have emotions.

This subplot on The Orville doesn't bother me as much as Disney's attempts to reframe the droids in Star Wars as an enslaved sentient species. But in either case, I still find George Lucas' version more interesting--droids that can't truly think the way sentient beings can.



Finally, there was kind of an amusing romantic subplot between Talla and Lamarr. She keeps injuring him during sex because her species has super strength. And apparently insufficient self control. I wonder why they didn't consider restraints.

The Orville is available on Hulu in the U.S. and on Disney+ elsewhere.

Twitter Sonnet #1601

The polka dots were caught disrupting threads.
For style points the casa fell to earth.
With pickled fish the shrimps remade the beds.
A sloshy stomach speaks of human worth.
The swirling stream conceals desired flicks.
You'll never watch the darkness yield a show.
As hours pass, your dinner's bucket kicks.
You wait for films but only dreams will know.
The rapid day decelerates to naught.
The static cake was cooked in velvet night.
The dizzy fish is seldom quickly caught.
And now the storm compels the dancing mite.
Companion pictures suffer same as you.
The final soldier's thirst requires dew.

Orvetheus

Jun. 10th, 2022 06:18 am
setsuled: (Doctor Chess)


Last night's new Orville was written by Star Trek writers Brannon Braga and Andre Bormanis. So for a show that's normally modelled on Star Trek's '90s television tone, this one felt especially Star Trek. It also reminded me a lot of Prometheus, a great, underrated film that marked its tenth anniversary recently, as I was reminded by Caitlin R. Kiernan's blog. As an example of--what? Let's call it DNA horror--last night's Orville couldn't hope to compete with Prometheus but it was still pretty nice.

Like many episodes of TNG and DS9, it features a personal relationship plot that is tied to a previously separate Sci-Fi plot in the second act. In this case, we meet a new character, Claire's ex-husband. He wants to rekindle things but Claire's not up for it, a situation that's complicated when he's hit by some kind of alien spore that starts to rewrite his DNA.



The makeup is pretty nicely horrific while he's on the operating table but falls a bit into Power Rangers territory when he's up and running around. Still, I enjoyed the fight scene between two of the monsters and Talla. The choreography and effects weren't great but it was still fun watching her punch one of them and watching it snap back against the wall.



I remember when the first season of The Orville aired I found myself comparing it to Star Trek: Discovery. Now I'm comparing it to Obi-Wan Kenobi and one thing the makers of Orville understand that I wish Obi-Wan Kenobi's makers did is the importance of build-up. John Debney's lush, full orchestra score helps a lot as always. But also the Krill planting the idea of the strange space station being inhabited by demons and the slow approach by the shuttlecraft were all great. It would've been better if the alien station's set design looked a lot less like a set.



But okay. They can't be Prometheus on their budget. Still, it was a nice piece of television.

The Orville is available on Hulu and on Disney+ in various countries.
setsuled: (Mouse Sailor)


Last night's season finale of The Expanse was supposedly the series finale but it clearly wasn't meant to be. There are at least three unresolved subplots from the season, plus the overall series plot about the protomolecule doesn't feel done. Even as a season finale, it didn't have quite the impact of previous seasons.

Partly I wonder if it's the absence of actors like Thomas Jane or David Strathairn. And, of course, the absence of Cas Anvar continues to feel wrong, for the absence of his performance but more for the absence of his character, Alex. It's like if Scotty died in the second season of Star Trek and no-one made a big deal about it.

Spoilers after the screenshot.



There was a lot of awkward moral clean-up in this season, too, like Avasarala (Shohreh Aghdashloo) expressing regret about torturing the Belter in season one or Clarissa (Nadine Nicole) feeling sorry about killing the mechanic she worked with. Maybe they both do feel sorry about these things but their confessions came at awkward times and felt artificially injected.

The episode also did that thing Chris Chibnall has garnered criticism for doing on Doctor Who--showing the protagonist about to sacrifice herself only for a minor character to step in and do the sacrifice at the last minute. Drummer (Cara Gee) had that cool line, "Leave the Pella to me!" before she set up her suicide run only for someone else to do it. Bobbie (Frankie Adams) made like she was going to sacrifice herself to take out some gun defenses but her special suit ended up surviving a hail of bullets. That's a little more plausible, at least, but the moment felt deflated anyway.



And, of course, Filip managing to sneak off and survive felt like bullshit. The show would've been better off letting Naomi's (Dominique Tipper) grief remain legitimately earned. That's war.

Well, the action sequences were nice. But this show is definitely a long way from its heyday and, if this truly was the final episode, it's going out on a weak note.

The Expanse is available on Amazon Prime.
setsuled: (Mouse Sailor)


The first episode of the sixth and final season of The Expanse premiered on Friday and it was certainly the most underwhelming premiere of the series.

The two conspicuous problems are the absence of Alex and the presence of Marco. Cas Anvar, who played Alex, was the subject of allegations of sexual misconduct last year. Although he apparently has not been charged with any crime, he was awkwardly written out of the show at the end of last season. Anvar was by far one of the best actors on the show but, if he really did have to go, I would have advised recasting Alex rather than killing him off. His character, as the "heart" of the team who made the effort to make the crew like a family, was too essential to the ensemble dynamic. Now it really just feels like people on a ship who'd all rather be doing something else.



Meanwhile, the main villain from the previous season, Marco (Keon Alexander), is still up to his dastardly schemes, and is still just as bafflingly cartoonish. He barks his motivational speeches like an orc wearing a hair shirt. He's so over the top on a show that's usually famed for its realism, you wonder why anyone, let alone almost all the Belters, would follow this guy. When you look at video of Osama bin Laden or Adolf Hitler, they don't come off like Snidley Whiplash.



It is nice to see Shohreh Aghdashloo, Dominique Tipper, and Cara Gee again and I'm happy that Nadine Nicole has joined the crew. But the show is definitely at a low ebb.

The Expanse is available on Amazon Prime.
setsuled: (Mouse Sailor)


Last night's finale of The Expanse, season five, was mostly disappointing, shifting from bad tonal choices to odd tonal choices. It did have bright spots, though, and even a disappointing episode of The Expanse is still better than the average TV series.

Spoilers after the screenshot



So we finally know how they handled the departure of Cas Anvar--they killed off Alex abruptly. Having a stroke after rescuing Naomi (Dominique Tipper) is a nice way of reminding the audience of the constant danger involved in the crew getting juiced up to handle g forces. Aside from that, though, it really didn't feel like the right time from a storytelling perspective. Alex had some good episodes at the beginning of the season that seemed like they were just the start of a new chapter for him.



In addition to that, the reactions of the rest of the crew, particularly Bobbie (Frankie Adams), who'd been teamed up with him all season, seemed peculiarly bland, which makes sense if the episode was shot before the makers of the show decided to edit Alex out. The banquet scene at the end feels particularly bizarre.



After all the bitterness and struggle of the season, now everyone's kicking back, getting their drunk on, and dressed in red and black. It felt like a dream sequence--part of me seriously expected it to be. Marco isn't even dead. Which is another disappointing thing, considering he was such a weak, uninteresting villain.



The two bright spots of the episode were Drummer (Cara Gee) and Naomi (Dominique Tipper). The drama between Drummer and her crew as they decide to take the painful steps of parting ways with Marco was great and the conclusion of Naomi's already gripping survival story was terrific.



I don't know the exact nature of the allegations against Anvar but I'm inclined to think he shouldn't have been fired unless he'd been convicted of a crime. But, oh, well, it's just a TV show. It kind of feels like the heart's gone out of it, anyway.

The Expanse is available on Amazon Prime.
setsuled: (Mouse Sailor)


Wednesday's new episode of The Expanse almost felt like it'd become a survival series. With the story about Amos and Clarissa trying to survive on an Earth devastated by massive rocks and Naomi just trying to jury rig a radio on a booby trapped ship it almost felt like The Walking Dead.

Avasarala's plot, though, feels a bit more like an Iraq War allegory as she seems to be the only one of the acting leader's advisory team not advocating attacking Belter stations with civilians. Considering the scale of destruction caused by Marco, it's no wonder some Earth brass start thinking "It's us are them." It got me wondering just how big the Belter population is.



I feel like they should be spending more time figuring out if Marco is capable of another attack like the one he pulled off. The Belters seem so scattered and small that going nuclear on them seems odd.

But the episode's centrepiece was really Naomi struggling to warn people against following her phony distress signal.



We watch her struggle to connect and cut wires properly in oxygen free corridors while still suffering from exposure to a vaccuum is captivating. The show's renowned predilection for exploring science possibilities in a true old fashioned Sci-Fi way is served well by another good performance from Dominique Tipper.

The Expanse is available on Amazon Prime.

Twitter Sonnet #1435

The boiled yam was never drawn as fresh.
To chop the cabbage brings the green to dine.
With steamy metal, food o'rwhelmed the mesh.
Connexions caught the taste of Jerez wine.
The floating trunk creates the elephant.
The drinking nose returned an eyeless stare.
The eating man rejects the applicant.
But dancing leaves'd yet relinquish care.
Selective hands were spider shades at work.
The timing clicked before the watches wound.
We count the song as Lisa's seventh perk.
The falling leaves support the floating ground.
There's drifting planet people swimming late.
The island name implied a lonesome wait.
setsuled: (Mouse Sailor)


Last time I wrote about The Expanse, I wondered why in the Belt Naomi would be attracted to Marco Inaros in the first place. Last night's new episode sort of gave me an answer, or at any rate it had a flashback to when they were young and in love and Filip was just born.



She looks so mature, not fifteen or sixteen, as I guess her age would have to be. I can't find the age of Jasai Chase Owens, who plays Filip most of the time, anywhere on the internet but considering he has a history of aiding in terrorist attacks I figure he has to be at least seventeen by this point. Dominique Tipper, who plays Naomi, is listed as being 32 or 33 (weird seeing such imprecision about someone in a major TV series). I guess Naomi's meant to be older than Tipper or maybe Belters have accelerated pregnancies.



Still, I don't find Marco (Keon Alexander) or Filip very interesting but I like the story of Naomi's struggle. Tipper's performance makes the scenes really work when she's talking about nearly committing suicide. And I liked how the episode came back to that story in the climax.

I was sorry not to see Amos or Avasarala this week but an episode focused on Naomi is always a good idea.

The Expanse is available on Amazon Prime.
setsuled: (Mouse Sailor)


The new season of The Expanse premiered last night on Amazon Prime with three episodes and I watched the first one. For a season premiere, it has a pretty subdued tone. Most of it involved Amos and Alex as they return home--Amos to Earth and Alex to Mars. It was a good episode with solid writing from Naren Shankar.

The new season premieres amid some bad press. Cas Anvar, who plays Alex, won't be back for season six due to an investigation into allegations of sexual assault and harassment. No news story has said he was convicted of anything. One story links to a Reddit thread as though it contains all the evidence we need but all the quotes from named cast and crew are very litigation-conscious variations of "We take these allegations seriously" and quotes from accusers come with no direct evidence. Many of the claims of harassment hinge on interpretations of texts and tweets.



Maybe he is guilty, I don't know. I saw him in person a few times at Comic Con and was always surprised by how accessible he was for someone on a currently popular show. I used to see him in an autograph booth upstairs in an area normally occupied by stars of shows that ended at least ten years ago or bit players from a crowd scene in a Conan movie. That kind of accessibility could make him vulnerable to opportunists who could easily provide a context for their allegations but maybe it was a sign he was a predator on the prowl. I won't pretend to know.



He was always one of the best actors on the show, one of the very few decent ones from season one. The new premiere shows it, too. After confronting his estranged wife he gets grilled by Bobbie (Frankie Adams) for his persistently positive attitude. A thread throughout his subplot in this episode are signs of an economic change on Mars, culminating in him pondering a series of vacancy and "Going Out of Business" signs.



This struck a cord with me, as did his wife matter-of-factly telling him how her rent had gotten too high for her to continue living in her previous apartment. That's the California I know. That's how it was when I left, which must have been not long after the fifth season of The Expanse wrapped filming. After so many years of people in the media pretending like it wasn't happening, it's nice to see it acknowledged.



Meanwhile, Amos has a nice fight sequence, beating a few thugs trying to shake down passengers on a transport. Then he shares a scene with Avasarala (Shohreh Aghdashloo) in which they have this memorable exchange:

AMOS: You and I have very different life experiences, Prissy.

AVASARALA: Don't call me that. I'm a Member of Parliament, not your favourite stripper.

AMOS: You could be both.

Is he really flirting with her? Considering the recap reminded us she's broken up with her husband, could she actually have a relationship with Amos this season? I'd certainly like to see it, despite Avasarala's outfit in the premiere falling well short of her usual standard. Hopefully her wardrobe improves over the course of the season.

Twitter Sonnet #

On storage lists the mammals make a home.
Collected seeds deny the soil pines.
From verdant needles, cones discreetly roam.
The evergreens forever clog the lines.
Forgotten albums sound the pocket bell.
The speakers broke to fish for diamond gills.
We wandered aft to drain the cabin's hell.
The varied clams were hiding mollusc wills.
The optic ears were shifting round the head.
The darkness spot a nose and eyes became.
For Mickey's buttons white attached to red.
The tiny beast expands as Mouse was named.
The bigger show contracts against the mind.
The sketchy cloud endorsed the melon rind.
setsuled: (Skull Tree)


Whoever heard of a virus that kills the old but spares the young? Anyone who remembers "Miri", a first season episode of Star Trek, aired in October, 1966, in which the crew beam down to an Earth-like planet inhabited only by children. I've always liked how this episode condensed and recontextualised the psychological differences between young and old and the resulting conflicts between them. Now, of course, the story takes on some new resonance.

Kirk (William Shatner), Spock (Leonard Nimoy), McCoy (DeForest Kelley), and Rand (Grace Lee Whitney) find empty, ravaged streets on the Earth-like world before they're attacked by a deranged young man who promptly dies in front of them.



Finding a laboratory, Spock and McCoy uncover the history of the place and how, long ago, its inhabitants tried to genetically engineer a way to extend their lifespans. They succeeded in making something that causes the body to age much more slowly--about a month's worth of aging for every century--but once puberty is reached the pathogen reacts by tearing its host apart, physically and psychologically.



The mental deterioration starts to affect the Enterprise crew and they become increasingly irrational (except for Spock) even as they struggle to develop a vaccine. It also makes it difficult for them to work with the children who inhabit the ruined streets.



They look like kids but they're really hundreds of years old. But they also behave like children, turning life into an endless series of games and supporting their mutual belief that what's happening to the old can never affect them. In a way, they're like the Lost Boys in Peter Pan, but crueller and pettier. They haven't spent their time building anything beautiful or useful; they play hide-and-seek and "bang bang", wasting time away with idle pleasures.



But inevitably they do grow up and are affected by the frailties and hazards of age as much as any adult. Miri (Kim Darby) is now a young woman and of course she starts to fall in love with Kirk. But when the disease starts to affect them, she has the horrifying realisation that he and the others are truly "grups", the kids' word for grown-ups. This word shows that, like racists, they're avoiding distressing sympathy by seeing the sufferers as an inferior species. So tightly do they cling to this that Kirk has trouble convincing Miri of the truth even though she's seen with her own eyes some of her playmates age and die.



I like how gentle Kirk is with Miri, and with Rand, whose anxiety is to do with the loss of her beauty. As the disease disfigures her leg, the advantage of the short skirted uniform for the women of Starfleet becomes a curse. She says she always tried to get Kirk to notice her legs, now they draw notice for the wrong reason. It's an interesting moment that reveals how the uniform facilitates the dating culture in Starfleet and how cruelly the virus thus prematurely deprives someone of a sign of attractive, youthful vitality.



But of course, this isn't the end for the crew of the Enterprise who finally manage to convince the kids to help them. For this we have to credit Kirk's diplomacy and not his fists, despite what's been said of the relative strengths of Kirk and Picard. He goes among the children and reasons with them respectfully despite their childish insults. Obviously, that is the mature and only path to cooperation.

Twitter Sonnet #1397

Observant air remains beyond the wall.
Selected hairs complete the thinning skull.
Reversing leaves includes a leafy fall.
A tapping told of cups beyond the hull.
The bigger shirt becomes the bigger man.
Alerted horses cook the special brew.
A bouncing cat redeems the static plan.
The richer green was closer yet to blue.
The absent voice acquires help in space.
With metal shoes, the egg ascends to law.
The good and true assort the station face.
The claws retire 'neath the fluffy paw.
The science built a smaller kind of kid.
The lines were spliced with timely aid of fid.
setsuled: (Frog Leaf)


Farscape, a Science Fiction series that began as a story about misfits, finding a way to live in a hostile galaxy, concludes with a story about choosing mass destruction over perpetual war. For the most part, the strokes are too broad for this war story to really work but there are still enough moments for characters to provide the Farscape fan with a bittersweet farewell.



The Peacekeeper Wars, Part II

Very quickly, many plot elements from Part I are resolved as our heroes escape from Scarran imprisonment, the baby is transferred from Rygel (Jonathan Hardy) back to Aeryn (Claudia Black), and D'Argo (Anthony Simcoe) and Chiana (Gigi Edgley) return from their apparent deaths along with a team of Luxan commandos headed by none other than D'Argo's son, Jothee, now played by Nathaniel Dean, taking over the role from Matt Newton.



Jothee's former internal conflict about his identity as a Luxan, something that fit well in with the series' general theme of misfits, is totally absent as we find the young man now fully integrated with Luxan culture. The rocky love triangle between D'Argo, Jothee, and Chiana, which dealt with the blurred lines of a family dichotomy, are only briefly touched on here. Instead, we mainly see exchanges between D'Argo and Jothee that resolve their relationship to a seemingly comfortable father and son rapport. Chiana's feelings for Jothee are never discussed, the simplification all apparently being in the interest of bidding D'Argo an uncomplicated farewell when he dies heroically near the end.



Ben Browder and Anthony Simcoe maintain an entertaining chemistry and the two busting balls a little bit while D'Argo's dying does bring a smile to my face. I never really liked the idea of D'Argo and Chiana as a couple though it might have been entertaining to see their plans to become farmers on Hyneria meet with catastrophe. I'd love to see a story about D'Argo getting furious after discovering Chiana's developed a taste for frelling Hynerians.



But I was really disappointed by the conclusion of the relationship between Scorpius (Wayne Pygram) and Sikozu (Raelee Hill). When Scorpius unmasks her as the spy, he has one line where he laments she has ruined something "unique". But despite Sikozu's history with the other characters, particularly Crichton, we never get any hint of internal conflict in her nor are any of the other characters shown reacting to the revelation of her betrayal. That's the kind of thing that should have been the meat of the episode, that would have been in the first three seasons.



Crichton's decision to finally use the wormhole weapon gives the series finale an appropriately spectacular note but one can't help remembering that this very thing was the climax of season three and, in that case, the show did a much better job of trying it to character motives--the Scarrans had to be stopped and suddenly twin Crichton sees his life as not amounting to a hill of beans. In Peacekeeper Wars, the need to forge peace between the Peacekeepers and the Scarrans is never as strongly established. Like many other genre series--as I complained constantly about with Game of Thrones--getting a glimpse of the average civilians affected by the ongoing conflict might have been helpful. Weren't the Peacekeepers supposed to be an evil empire and the Scarrans ruthless killers? I kind of feel like the Yojimbo solution might have been more reasonable. As it is, it's still not clear that Crichton destroying a planet was the best idea.



I'm still not crazy about the pregnancy plot but it is great watching Ben Browder and Claudia Black together. Browder musters his madness wonderfully for one last time, too, and the sight of him stumbling about, bleeding from the head while arguing about his lousy position in life captures one of the essential aspects of the series.

So that's it, for now. There are canon comics which I haven't read. There's always the potential for the show to return, too. When I spoke to Gigi Edgley last year, she seemed certain it would. I find myself hoping she's right.

. . .

Farscape is available now on Amazon Prime.

This entry is part of a series I'm writing on
Farscape for the show's 20th anniversary. My previous reviews can be found here (episodes are in the order intended by the show's creators rather than the broadcast order):

Season One:

Episode 1: Pilot
Episode 2: I, E.T.
Episode 3: Exodus from Genesis
Episode 4: Throne for a Loss
Episode 5: Back and Back and Back to the Future
Episode 6: Thank God It's Friday Again
Episode 7: PK Tech Girl
Episode 8: That Old Black Magic
Episode 9: DNA Mad Scientist
Episode 10: They've Got a Secret
Episode 11: Till the Blood Runs Clear
Episode 12: Rhapsody in Blue
Episode 13: The Flax
Episode 14: Jeremiah Crichton
Episode 15: Durka Returns
Episode 16: A Human Reaction
Episode 17: Through the Looking Glass
Episode 18: A Bug's Life
Episode 19: Nerve
Episode 20: The Hidden Memory
Episode 21: Bone to be Wild
Episode 22: Family Ties


Season Two:

Episode 1: Mind the Baby
Episode 2: Vitas Mortis
Episode 3: Taking the Stone
Episode 4: Crackers Don't Matter
Episode 5: Picture If You Will
Episode 6: The Way We Weren't
Episode 7: Home on the Remains
Episode 8: Dream a Little Dream
Episode 9: Out of Their Minds
Episode 10: My Three Crichtons
Episode 11: Look at the Princess, Part I: A Kiss is But a Kiss
Episode 12: Look at the Princess, Part II: I Do, I Think
Episode 13: Look at the Princess, Part III: The Maltese Crichton
Episode 14: Beware of Dog
Episode 15: Won't Get Fooled Again
Episode 16: The Locket
Episode 17: The Ugly Truth
Episode 18: A Clockwork Nebari
Episode 19: Liars, Guns, and Money, Part I: A Not So Simple Plan
Episode 20: Liars, Guns, and Money, Part II: With Friends Like These . . .
Episode 21: Liars, Guns, and Money, Part III: Plan B
Episode 22: Die Me, Dichotomy


Season Three:

Episode 1: Season of Death
Episode 2: Suns and Lovers
Episode 3: Self-Inflicted Wounds, Part I: Would'a, Could'a, Should'a
Episode 4: Self-Inflicted Wounds, Part II: Wait for the Wheel
Episode 5: . . . Different Destinations
Episode 6: Eat Me
Episode 7: Thanks for Sharing
Episode 8: Green Eyed Monster
Episode 9: Losing Time
Episode 10: Relativity
Episode 11: Incubator
Episode 12: Meltdown
Episode 13: Scratch 'n Sniff
Episode 14: Infinite Possibilities, Part I: Daedalus Demands
Episode 15: Infinite Possibilities, Part II: Icarus Abides
Episode 16: Revenging Angel
Episode 17: The Choice
Episode 18: Fractures
Episode 19: I-Yensch, You-Yensch
Episode 20: Into the Lion's Den, Part I: Lambs to the Slaughter
Episode 21: Into the Lion's Den, Part II: Wolf in Sheep's Clothing
Episode 22: A Dog with Two Bones


Season Four

Episode 1: Crichton Kicks
Episode 2: What was Lost, Part I: Sacrifice
Episode 3: What was Lost, Part II: Resurrection
Episode 4: Lava's a Many Splendoured Thing
Episode 5: Promises
Episode 6: Natural Election
Episode 7: John Quixote
Episode 8: I Shrink Therefore I Am
Episode 9: A Prefect Murder
Episode 10: Coup by Clam
Episode 11: Unrealised Reality
Episode 12: Kansas
Episode 13: Terra Firma
Episode 14: Twice Shy
Episode 15: Mental as Anything
Episode 16: Bringing Home the Beacon
Episode 17: A Constellation of Doubt
Episode 18: Prayer
Episode 19: We're So Screwed: Fetal Attraction
Episode 20: We're So Screwed, Part II: Hot to Katratzi
Episode 21: We're So Screwed, Part III: La Bomba
Episode 22: Bad Timing


The Peacekeeper Wars

Part I
setsuled: (Frog Leaf)


Two years after Farscape abruptly concluded its fourth and final season, a pair of TV movies aired, the result of fervent demands from disappointed fans. The miniseries is essentially a condensed version of what the showrunners had planned for an unmade fifth season. It bears many of the problems in terms of story and character that cropped up in season four but it's still great to revisit the wonderful locations and effects and to enjoy the performances of a terrific ensemble cast.



The Peacekeeper Wars, Part I

We meet up with Dominar Rygel (Jonathan Hardy) showing off his heretofore unseen swimming prowess as he gobbles up pieces of a "crystalised" Crichton (Ben Browder) and Aeryn (Claudia Black) off the ocean floor. So, of course, the pair weren't really killed. This solution to what had looked like a permanent problem results in the amusing development of Rygel's body taking custody of Aeryn's foetus.



This is discovered by none other than Grunchlk (Hugh Keays-Byrne), one of the more memorable characters from the series' history who makes his first appearance since the beginning of the third season. No explanation is given for his surviving what looked like death back in season three but we can forgive this oversight when we have the man delivering lines like, "If there was a little passenger before, it ain't aboard the train no more."



Less forgivable are some of the ongoing problems resulting from pushes to get characters from point A to B without much concern for how they do so. Why does it make sense for Scorpius (Wayne Pygram) to abandon his command of a Peacekeeper armada to travel as a refugee aboard Moya again just because Crichton is alive again? Crichton was alive when Scorpius last left Moya, after all.

When D'Argo (Anthony Simcoe) talks briefly to Aeryn about her baby during a gunfight, she tells him that Crichton wants the baby so bad that she's trying to want it too for his sake. It seems kind of late in the game to give her character this motive. It might also put a complicating light on the torture she underwent in the previous season if the show ever bothered to portray any lasting psychological effects from the experience in Aeryn's behaviour or in the way others treat her.

The plot about the war between Scarrans and Peacekeepers continues to get hazier, especially when a deus ex machina McGuffin is introduced in the form of a sentient race capable of influencing warring factions into pursuing peace.



Jool (Tammy MacIntosh is briefly returned in order to wear an unexplained cave girl outfit and sexily straddle and smooch Crichton--which is nice though one wonders what happened to her yen for D'Argo. She doesn't last long in any case, being obliterated with the Eidelons by a "precaution" missile courtesy of the Scarrans.

Stark (Paul Goddard) and the last survivor of the Eidelons (Ron Haddrick) confer about the psychology of Scarrans as though this factors into the peace negotiation technique but it still seems more like mind control as a disappointing shortcut for the development of relationships. Which is too bad because the Scarrans remain intriguing with fantastic makeup and costumes.



Even if their makeup, and Scorpius', looks oddly more artificial than it did in season four. I'm not sure if it's the makeup or something to do with the cameras but their faces look a bit more like masks, thicker and shinier.



I find I like Sikozu's (Raelee Hill) costume redesign a lot more now than I did the first time I watched the miniseries.



I was happy she had at least one moment talking about her relationship with Scorpius that explores her tendency to see other beings only in terms of whether they're inferior or superior.

The apparent deaths of Chiana (Gigi Edgley) and D'Argo at the hands of Ahkna (Francesca Buller) is a nice, surprising plot development though their escape is attained by the disappointingly improbable means of D'Argo somehow pulling both himself and Chiana unharmed from the explosion of his craft and floating in space, keeping Chiana alive with his own breath.



Crichton's decision to bring Staleek (Duncan Young) into the wormhole feels a little like a repeat of Crichton bringing Scorpius into a wormhole but the confrontation between Einstein (John Bach) and the Emperor is kind of neat. I liked that the situation actually seemed to compel the emperor to see reason, a much more effective development than the quick fix of the Eidelons.

. . .

Farscape is available now on Amazon Prime.

This entry is part of a series I'm writing on
Farscape for the show's 20th anniversary. My previous reviews can be found here (episodes are in the order intended by the show's creators rather than the broadcast order):

Season One:

Episode 1: Pilot
Episode 2: I, E.T.
Episode 3: Exodus from Genesis
Episode 4: Throne for a Loss
Episode 5: Back and Back and Back to the Future
Episode 6: Thank God It's Friday Again
Episode 7: PK Tech Girl
Episode 8: That Old Black Magic
Episode 9: DNA Mad Scientist
Episode 10: They've Got a Secret
Episode 11: Till the Blood Runs Clear
Episode 12: Rhapsody in Blue
Episode 13: The Flax
Episode 14: Jeremiah Crichton
Episode 15: Durka Returns
Episode 16: A Human Reaction
Episode 17: Through the Looking Glass
Episode 18: A Bug's Life
Episode 19: Nerve
Episode 20: The Hidden Memory
Episode 21: Bone to be Wild
Episode 22: Family Ties


Season Two:

Episode 1: Mind the Baby
Episode 2: Vitas Mortis
Episode 3: Taking the Stone
Episode 4: Crackers Don't Matter
Episode 5: Picture If You Will
Episode 6: The Way We Weren't
Episode 7: Home on the Remains
Episode 8: Dream a Little Dream
Episode 9: Out of Their Minds
Episode 10: My Three Crichtons
Episode 11: Look at the Princess, Part I: A Kiss is But a Kiss
Episode 12: Look at the Princess, Part II: I Do, I Think
Episode 13: Look at the Princess, Part III: The Maltese Crichton
Episode 14: Beware of Dog
Episode 15: Won't Get Fooled Again
Episode 16: The Locket
Episode 17: The Ugly Truth
Episode 18: A Clockwork Nebari
Episode 19: Liars, Guns, and Money, Part I: A Not So Simple Plan
Episode 20: Liars, Guns, and Money, Part II: With Friends Like These . . .
Episode 21: Liars, Guns, and Money, Part III: Plan B
Episode 22: Die Me, Dichotomy


Season Three:

Episode 1: Season of Death
Episode 2: Suns and Lovers
Episode 3: Self-Inflicted Wounds, Part I: Would'a, Could'a, Should'a
Episode 4: Self-Inflicted Wounds, Part II: Wait for the Wheel
Episode 5: . . . Different Destinations
Episode 6: Eat Me
Episode 7: Thanks for Sharing
Episode 8: Green Eyed Monster
Episode 9: Losing Time
Episode 10: Relativity
Episode 11: Incubator
Episode 12: Meltdown
Episode 13: Scratch 'n Sniff
Episode 14: Infinite Possibilities, Part I: Daedalus Demands
Episode 15: Infinite Possibilities, Part II: Icarus Abides
Episode 16: Revenging Angel
Episode 17: The Choice
Episode 18: Fractures
Episode 19: I-Yensch, You-Yensch
Episode 20: Into the Lion's Den, Part I: Lambs to the Slaughter
Episode 21: Into the Lion's Den, Part II: Wolf in Sheep's Clothing
Episode 22: A Dog with Two Bones


Season Four

Episode 1: Crichton Kicks
Episode 2: What was Lost, Part I: Sacrifice
Episode 3: What was Lost, Part II: Resurrection
Episode 4: Lava's a Many Splendoured Thing
Episode 5: Promises
Episode 6: Natural Election
Episode 7: John Quixote
Episode 8: I Shrink Therefore I Am
Episode 9: A Prefect Murder
Episode 10: Coup by Clam
Episode 11: Unrealised Reality
Episode 12: Kansas
Episode 13: Terra Firma
Episode 14: Twice Shy
Episode 15: Mental as Anything
Episode 16: Bringing Home the Beacon
Episode 17: A Constellation of Doubt
Episode 18: Prayer
Episode 19: We're So Screwed: Fetal Attraction
Episode 20: We're So Screwed, Part II: Hot to Katratzi
Episode 21: We're So Screwed, Part III: La Bomba
Episode 22: Bad Timing
setsuled: (Mouse Sailor)


So here we are, the infamously premature final episode of Farscape. In some ways, a decent enough episode that returns to some aspects of the show largely absent from the fourth season, but, at the same time, it feels oddly rushed in places and some characters make oddly abrupt decisions.



Season Four, Episode Twenty Two: Bad Timing

Having accidentally mentioned birds of paradise are plentiful on Earth, Crichton (Ben Browder) now has to race against the Scarrans, who ingest the plant to prevent themselves from intellectually devolving. Who'd have thought birds of paradise would be so hard to synthesise.



But the episode begins with Scorpius (Wayne Pygram) and Sikozu (Raelee Hill) being expelled from Moya because Braca (David Franklin) has shown up with the Peacekeeper command carrier he's seized from Grayza. This leads to a couple sweet moments between Scorpius and Sikozu dining on the big Peacekeeper ship.



There's no time for Grayza to appear in this episode, though, or for Stark (Paul Goddard) to comment on Scorpius being there in the first place. Stark feels very hastily written in the episode as Pilot's (Lani Tupu) helper. I sense a lot of hasty rewriting was going on--it made sense when he was torturing Scorpius, it made no sense that he was a bioloid. Why would the Scarrans bother making a bioloid of Stark anyway?



The episode doesn't even have time to show Pilot in a transport pod navigating a wormhole, having been temporarily removed from Moya to perform a risky wormhole popping stunt Crichton has contrived. But we do get the nice scene of Crichton on the moon, bidding farewell to his father.



More bittersweet is Crichton and Aeryn (Claudia Black) on the boat, meeting what looks like their ultimate fate at the hands of a very impressive animatronic alien.



The episode also features Chiana (Gigi Edgley) finally using her power vision again, though, sadly, it's to be rendered permanently (for now) blind.



Fortunately, this isn't, of course, really the end of the series. A miniseries, The Peacekeeper Wars, follows. It is the end of the fourth season, in many ways the most generic season of the series. The relationship plot between Crichton and Aeryn revolves around her pregnancy and the identity of the father, the kind of story that would seem more at home on a soap opera. And it's delivered unevenly, from the traumatic and serious events around Aeryn's capture and torture, to the coy evasions of the subject in some scenes. The makeup and effects, however, are certainly at their strongest with the Scarrans in particular benefiting from redesigns in both wardrobe and makeup. Lacking the absorbing drama of season three and the adventurousness of the first two seasons, it's still pretty frelling good.

. . .

Farscape is available now on Amazon Prime.

This entry is part of a series I'm writing on
Farscape for the show's 20th anniversary. My previous reviews can be found here (episodes are in the order intended by the show's creators rather than the broadcast order):

Season One:

Episode 1: Pilot
Episode 2: I, E.T.
Episode 3: Exodus from Genesis
Episode 4: Throne for a Loss
Episode 5: Back and Back and Back to the Future
Episode 6: Thank God It's Friday Again
Episode 7: PK Tech Girl
Episode 8: That Old Black Magic
Episode 9: DNA Mad Scientist
Episode 10: They've Got a Secret
Episode 11: Till the Blood Runs Clear
Episode 12: Rhapsody in Blue
Episode 13: The Flax
Episode 14: Jeremiah Crichton
Episode 15: Durka Returns
Episode 16: A Human Reaction
Episode 17: Through the Looking Glass
Episode 18: A Bug's Life
Episode 19: Nerve
Episode 20: The Hidden Memory
Episode 21: Bone to be Wild
Episode 22: Family Ties


Season Two:

Episode 1: Mind the Baby
Episode 2: Vitas Mortis
Episode 3: Taking the Stone
Episode 4: Crackers Don't Matter
Episode 5: Picture If You Will
Episode 6: The Way We Weren't
Episode 7: Home on the Remains
Episode 8: Dream a Little Dream
Episode 9: Out of Their Minds
Episode 10: My Three Crichtons
Episode 11: Look at the Princess, Part I: A Kiss is But a Kiss
Episode 12: Look at the Princess, Part II: I Do, I Think
Episode 13: Look at the Princess, Part III: The Maltese Crichton
Episode 14: Beware of Dog
Episode 15: Won't Get Fooled Again
Episode 16: The Locket
Episode 17: The Ugly Truth
Episode 18: A Clockwork Nebari
Episode 19: Liars, Guns, and Money, Part I: A Not So Simple Plan
Episode 20: Liars, Guns, and Money, Part II: With Friends Like These . . .
Episode 21: Liars, Guns, and Money, Part III: Plan B
Episode 22: Die Me, Dichotomy


Season Three:

Episode 1: Season of Death
Episode 2: Suns and Lovers
Episode 3: Self-Inflicted Wounds, Part I: Would'a, Could'a, Should'a
Episode 4: Self-Inflicted Wounds, Part II: Wait for the Wheel
Episode 5: . . . Different Destinations
Episode 6: Eat Me
Episode 7: Thanks for Sharing
Episode 8: Green Eyed Monster
Episode 9: Losing Time
Episode 10: Relativity
Episode 11: Incubator
Episode 12: Meltdown
Episode 13: Scratch 'n Sniff
Episode 14: Infinite Possibilities, Part I: Daedalus Demands
Episode 15: Infinite Possibilities, Part II: Icarus Abides
Episode 16: Revenging Angel
Episode 17: The Choice
Episode 18: Fractures
Episode 19: I-Yensch, You-Yensch
Episode 20: Into the Lion's Den, Part I: Lambs to the Slaughter
Episode 21: Into the Lion's Den, Part II: Wolf in Sheep's Clothing
Episode 22: A Dog with Two Bones


Season Four

Episode 1: Crichton Kicks
Episode 2: What was Lost, Part I: Sacrifice
Episode 3: What was Lost, Part II: Resurrection
Episode 4: Lava's a Many Splendoured Thing
Episode 5: Promises
Episode 6: Natural Election
Episode 7: John Quixote
Episode 8: I Shrink Therefore I Am
Episode 9: A Prefect Murder
Episode 10: Coup by Clam
Episode 11: Unrealised Reality
Episode 12: Kansas
Episode 13: Terra Firma
Episode 14: Twice Shy
Episode 15: Mental as Anything
Episode 16: Bringing Home the Beacon
Episode 17: A Constellation of Doubt
Episode 18: Prayer
Episode 19: We're So Screwed: Fetal Attraction
Episode 20: We're So Screwed, Part II: Hot to Katratzi
Episode 21: We're So Screwed, Part III: La Bomba
setsuled: (Mouse Sailor)


Flowers are deadly serious business on Farscape, especially when there's a nuclear bomb involved.



Season Four, Episode Twenty One: We're So Screwed, Part III: La Bomba

Negotiations inevitably fall apart once again and our heroes are forced to improvise complicated plans as they go along. Things really go south when the sensor Crichton (Ben Browder) rigged for his nuke belt stops working, taking all his leverage with it.



Both he and Aeryn (Claudia Black) seem strangely withdrawn in this episode. I suspect this was intentional, maybe a comment on the inevitable emotional fatigue that may occur after years and years of torture and harrowing escapes. Still, especially in Claudia Black's case, I can't help just feeling like the actors are checked out. I wonder if it was related to any offscreen drama.



Everyone else seems very alive--Chiana (Gigi Edgeley), D'Argo (Anthony Simcoe), and Rygel (Jonathan Hardy) are all as crazy and/or irascible as ever. But their parts are small--most of the episode's actual drama involves the power plays among Scarrans and Peacekeepers.



The Scarrans are certainly a wonder to behold. The Emperor (Duncan Young) actually navigating between benevolence and threats when dealing with Crichton comes off as genuinely smart. The rivalry between Ahkna (Francesca Buller) and Janek (Jason Clark) is amusing.



And, meanwhile, Braca (David Franklin) relieves Grayza (Rebecca Riggs) of duty, citing her mental instability and not her dress code. I do miss the time when a character on a tv show could show that much cleavage for no particular reason.

Really, though, it's a fair cop; Grayza was going to force the whole crew to join her in a suicide mission.



We also learn a little more about Sikozu (Raelee Hill) in this episode and her involvement with a strange resistance group. It's too bad this is only one episode away from the end of the series--I would have liked to have seen her relationship with Scorpius (Wayne Pygram) play out properly.

The Stark (Paul Goddard) who tortured Scorpius is revealed in this episode to in fact be a bioloid. Noranti (Melissa Jaffer) and Rygel (Jonathan Hardy) rescue the real Stark. I don't quite see why the real Stark couldn't have tortured Scorpius.

All in all, a good episode but, again, not quite reaching the highs of pre-season four episodes.

. . .

Farscape is available now on Amazon Prime.

This entry is part of a series I'm writing on
Farscape for the show's 20th anniversary. My previous reviews can be found here (episodes are in the order intended by the show's creators rather than the broadcast order):

Season One:

Episode 1: Pilot
Episode 2: I, E.T.
Episode 3: Exodus from Genesis
Episode 4: Throne for a Loss
Episode 5: Back and Back and Back to the Future
Episode 6: Thank God It's Friday Again
Episode 7: PK Tech Girl
Episode 8: That Old Black Magic
Episode 9: DNA Mad Scientist
Episode 10: They've Got a Secret
Episode 11: Till the Blood Runs Clear
Episode 12: Rhapsody in Blue
Episode 13: The Flax
Episode 14: Jeremiah Crichton
Episode 15: Durka Returns
Episode 16: A Human Reaction
Episode 17: Through the Looking Glass
Episode 18: A Bug's Life
Episode 19: Nerve
Episode 20: The Hidden Memory
Episode 21: Bone to be Wild
Episode 22: Family Ties


Season Two:

Episode 1: Mind the Baby
Episode 2: Vitas Mortis
Episode 3: Taking the Stone
Episode 4: Crackers Don't Matter
Episode 5: Picture If You Will
Episode 6: The Way We Weren't
Episode 7: Home on the Remains
Episode 8: Dream a Little Dream
Episode 9: Out of Their Minds
Episode 10: My Three Crichtons
Episode 11: Look at the Princess, Part I: A Kiss is But a Kiss
Episode 12: Look at the Princess, Part II: I Do, I Think
Episode 13: Look at the Princess, Part III: The Maltese Crichton
Episode 14: Beware of Dog
Episode 15: Won't Get Fooled Again
Episode 16: The Locket
Episode 17: The Ugly Truth
Episode 18: A Clockwork Nebari
Episode 19: Liars, Guns, and Money, Part I: A Not So Simple Plan
Episode 20: Liars, Guns, and Money, Part II: With Friends Like These . . .
Episode 21: Liars, Guns, and Money, Part III: Plan B
Episode 22: Die Me, Dichotomy


Season Three:

Episode 1: Season of Death
Episode 2: Suns and Lovers
Episode 3: Self-Inflicted Wounds, Part I: Would'a, Could'a, Should'a
Episode 4: Self-Inflicted Wounds, Part II: Wait for the Wheel
Episode 5: . . . Different Destinations
Episode 6: Eat Me
Episode 7: Thanks for Sharing
Episode 8: Green Eyed Monster
Episode 9: Losing Time
Episode 10: Relativity
Episode 11: Incubator
Episode 12: Meltdown
Episode 13: Scratch 'n Sniff
Episode 14: Infinite Possibilities, Part I: Daedalus Demands
Episode 15: Infinite Possibilities, Part II: Icarus Abides
Episode 16: Revenging Angel
Episode 17: The Choice
Episode 18: Fractures
Episode 19: I-Yensch, You-Yensch
Episode 20: Into the Lion's Den, Part I: Lambs to the Slaughter
Episode 21: Into the Lion's Den, Part II: Wolf in Sheep's Clothing
Episode 22: A Dog with Two Bones


Season Four

Episode 1: Crichton Kicks
Episode 2: What was Lost, Part I: Sacrifice
Episode 3: What was Lost, Part II: Resurrection
Episode 4: Lava's a Many Splendoured Thing
Episode 5: Promises
Episode 6: Natural Election
Episode 7: John Quixote
Episode 8: I Shrink Therefore I Am
Episode 9: A Prefect Murder
Episode 10: Coup by Clam
Episode 11: Unrealised Reality
Episode 12: Kansas
Episode 13: Terra Firma
Episode 14: Twice Shy
Episode 15: Mental as Anything
Episode 16: Bringing Home the Beacon
Episode 17: A Constellation of Doubt
Episode 18: Prayer
Episode 19: We're So Screwed: Fetal Attraction
Episode 20: We're So Screwed, Part II: Hot to Katratzi
setsuled: (Default)


It's time for Crichton to put his boots right on the Scarran dinner table as Farscape adds a new wrinkle to its cold war plot. Now Crichton wants to get paid. Or so he says.



Season Four, Episode Twenty: We're So Screwed, Part II: Hot to Katratzi

Why not "We're So Frelled"? It could be my imagination but it seems like there's less of the alien slang at this point in the series, which is a bit disappointing. A more noticeable disappointment is Aeryn (Claudia Black) being completely recovered from her incarceration and torture.



The little waltz she and Crichton (Ben Browder) have on an elevator is sweet but I kept thinking--this woman just had four giant spikes in her pregnant belly. Surely that should have some kind of lingering impact, if not physical at least psychological. Okay, you could say Aeryn just happens to be really strong. But one of the great things about the show is how the lasting effects of severe trauma manifest in Crichton's personality. Why pass up a similar opportunity for storytelling with Aeryn? Remember how great Claudia Black was in "Choices" in season three, when Aeryn was dealing with the trauma of losing the other Crichton?



Sure, "Hot to Katratzi" is fun. It is fun watching Crichton play chicken with a nuclear bomb. The Scarran puppetry and makeup effects are fantastic, too. And I do like the return of Stark (Paul Goddard), torturing Scorpius (Wayne Pygram), and I found Scorpius being a frustrating masochist about it even more amusing. But mostly these episodes feel like just an echo of the great "Liars, Guns, and Money" three parter.



. . .

Farscape is available now on Amazon Prime.

This entry is part of a series I'm writing on
Farscape for the show's 20th anniversary. My previous reviews can be found here (episodes are in the order intended by the show's creators rather than the broadcast order):

Season One:

Episode 1: Pilot
Episode 2: I, E.T.
Episode 3: Exodus from Genesis
Episode 4: Throne for a Loss
Episode 5: Back and Back and Back to the Future
Episode 6: Thank God It's Friday Again
Episode 7: PK Tech Girl
Episode 8: That Old Black Magic
Episode 9: DNA Mad Scientist
Episode 10: They've Got a Secret
Episode 11: Till the Blood Runs Clear
Episode 12: Rhapsody in Blue
Episode 13: The Flax
Episode 14: Jeremiah Crichton
Episode 15: Durka Returns
Episode 16: A Human Reaction
Episode 17: Through the Looking Glass
Episode 18: A Bug's Life
Episode 19: Nerve
Episode 20: The Hidden Memory
Episode 21: Bone to be Wild
Episode 22: Family Ties


Season Two:

Episode 1: Mind the Baby
Episode 2: Vitas Mortis
Episode 3: Taking the Stone
Episode 4: Crackers Don't Matter
Episode 5: Picture If You Will
Episode 6: The Way We Weren't
Episode 7: Home on the Remains
Episode 8: Dream a Little Dream
Episode 9: Out of Their Minds
Episode 10: My Three Crichtons
Episode 11: Look at the Princess, Part I: A Kiss is But a Kiss
Episode 12: Look at the Princess, Part II: I Do, I Think
Episode 13: Look at the Princess, Part III: The Maltese Crichton
Episode 14: Beware of Dog
Episode 15: Won't Get Fooled Again
Episode 16: The Locket
Episode 17: The Ugly Truth
Episode 18: A Clockwork Nebari
Episode 19: Liars, Guns, and Money, Part I: A Not So Simple Plan
Episode 20: Liars, Guns, and Money, Part II: With Friends Like These . . .
Episode 21: Liars, Guns, and Money, Part III: Plan B
Episode 22: Die Me, Dichotomy


Season Three:

Episode 1: Season of Death
Episode 2: Suns and Lovers
Episode 3: Self-Inflicted Wounds, Part I: Would'a, Could'a, Should'a
Episode 4: Self-Inflicted Wounds, Part II: Wait for the Wheel
Episode 5: . . . Different Destinations
Episode 6: Eat Me
Episode 7: Thanks for Sharing
Episode 8: Green Eyed Monster
Episode 9: Losing Time
Episode 10: Relativity
Episode 11: Incubator
Episode 12: Meltdown
Episode 13: Scratch 'n Sniff
Episode 14: Infinite Possibilities, Part I: Daedalus Demands
Episode 15: Infinite Possibilities, Part II: Icarus Abides
Episode 16: Revenging Angel
Episode 17: The Choice
Episode 18: Fractures
Episode 19: I-Yensch, You-Yensch
Episode 20: Into the Lion's Den, Part I: Lambs to the Slaughter
Episode 21: Into the Lion's Den, Part II: Wolf in Sheep's Clothing
Episode 22: A Dog with Two Bones


Season Four

Episode 1: Crichton Kicks
Episode 2: What was Lost, Part I: Sacrifice
Episode 3: What was Lost, Part II: Resurrection
Episode 4: Lava's a Many Splendoured Thing
Episode 5: Promises
Episode 6: Natural Election
Episode 7: John Quixote
Episode 8: I Shrink Therefore I Am
Episode 9: A Prefect Murder
Episode 10: Coup by Clam
Episode 11: Unrealised Reality
Episode 12: Kansas
Episode 13: Terra Firma
Episode 14: Twice Shy
Episode 15: Mental as Anything
Episode 16: Bringing Home the Beacon
Episode 17: A Constellation of Doubt
Episode 18: Prayer
Episode 19: We're So Screwed: Fetal Attraction
setsuled: (Mouse Sailor)


It's a quarantine lockdown on Farscape on a Scarran space station in a plot that finally makes something more of Noranti than a walking gag.



Season Four, Episode Nineteen: We're So Screwed, Part 1: Fetal Attraction

We have a chance to meet more Kalish, Sikozu's (Raelee Hill) people who are subjugated by the Scarrans and running the border station on which the episode takes place.



When it turns out the ship carrying Aeryn (Claudia Black) is about to leave in thirty minutes, Noranti (Melissa Jaffer) hastily concocts a strategy that involves provoking a relapse of a highly contagious disease Rygel (Jonathan Hardy) had at some point in the past, when he was Dominar. This buys some time as the station administrator is forced to call a lockdown, detaining the Scarran ship. Since Kalish and Sebaceans aren't immune to the disease, Noranti has to work quickly to cure Rygel.



Melissa Jaffer is a good actress--she'd been on the show previously as a dying Luxan in season two and she would go on to have a small role in Mad Max: Fury Road--so it's good to see Noranti being more than the omniscient, mysterious healer or the old lady who likes to gross out the young people. You can see her frantic as she tries to hold onto her identity as the mystic with all the answers, fronting a confidence as she digs through herbs and potions. Inevitably she has to face the fact that her solution for saving Aeryn results in the deaths of uninvolved Kalish and Sebaceans.



It also gives Rygel an all too rare moment to reflect on his time as a Dominar in a way that shows him as more than caricature. As a ruler, he too, had to make decisions which would inevitably cause people to die with never any certainty that an alternative wouldn't be better. But Rygel concludes by saying, "Welcome to Moya" and, indeed, one of the nice things about Farscape is that it doesn't shy away from putting its characters in difficult positions.



Physical as well as philosophical. Poor Aeryn endures more in season four than in the other three seasons put together. I suppose she hasn't quite caught up to all of the involuntary surgery and mind rape Crichton (Ben Browder) has been subjected to, though. Not the kind of competition you want to win.

. . .

Farscape is available now on Amazon Prime.

This entry is part of a series I'm writing on
Farscape for the show's 20th anniversary. My previous reviews can be found here (episodes are in the order intended by the show's creators rather than the broadcast order):

Season One:

Episode 1: Pilot
Episode 2: I, E.T.
Episode 3: Exodus from Genesis
Episode 4: Throne for a Loss
Episode 5: Back and Back and Back to the Future
Episode 6: Thank God It's Friday Again
Episode 7: PK Tech Girl
Episode 8: That Old Black Magic
Episode 9: DNA Mad Scientist
Episode 10: They've Got a Secret
Episode 11: Till the Blood Runs Clear
Episode 12: Rhapsody in Blue
Episode 13: The Flax
Episode 14: Jeremiah Crichton
Episode 15: Durka Returns
Episode 16: A Human Reaction
Episode 17: Through the Looking Glass
Episode 18: A Bug's Life
Episode 19: Nerve
Episode 20: The Hidden Memory
Episode 21: Bone to be Wild
Episode 22: Family Ties


Season Two:

Episode 1: Mind the Baby
Episode 2: Vitas Mortis
Episode 3: Taking the Stone
Episode 4: Crackers Don't Matter
Episode 5: Picture If You Will
Episode 6: The Way We Weren't
Episode 7: Home on the Remains
Episode 8: Dream a Little Dream
Episode 9: Out of Their Minds
Episode 10: My Three Crichtons
Episode 11: Look at the Princess, Part I: A Kiss is But a Kiss
Episode 12: Look at the Princess, Part II: I Do, I Think
Episode 13: Look at the Princess, Part III: The Maltese Crichton
Episode 14: Beware of Dog
Episode 15: Won't Get Fooled Again
Episode 16: The Locket
Episode 17: The Ugly Truth
Episode 18: A Clockwork Nebari
Episode 19: Liars, Guns, and Money, Part I: A Not So Simple Plan
Episode 20: Liars, Guns, and Money, Part II: With Friends Like These . . .
Episode 21: Liars, Guns, and Money, Part III: Plan B
Episode 22: Die Me, Dichotomy


Season Three:

Episode 1: Season of Death
Episode 2: Suns and Lovers
Episode 3: Self-Inflicted Wounds, Part I: Would'a, Could'a, Should'a
Episode 4: Self-Inflicted Wounds, Part II: Wait for the Wheel
Episode 5: . . . Different Destinations
Episode 6: Eat Me
Episode 7: Thanks for Sharing
Episode 8: Green Eyed Monster
Episode 9: Losing Time
Episode 10: Relativity
Episode 11: Incubator
Episode 12: Meltdown
Episode 13: Scratch 'n Sniff
Episode 14: Infinite Possibilities, Part I: Daedalus Demands
Episode 15: Infinite Possibilities, Part II: Icarus Abides
Episode 16: Revenging Angel
Episode 17: The Choice
Episode 18: Fractures
Episode 19: I-Yensch, You-Yensch
Episode 20: Into the Lion's Den, Part I: Lambs to the Slaughter
Episode 21: Into the Lion's Den, Part II: Wolf in Sheep's Clothing
Episode 22: A Dog with Two Bones


Season Four

Episode 1: Crichton Kicks
Episode 2: What was Lost, Part I: Sacrifice
Episode 3: What was Lost, Part II: Resurrection
Episode 4: Lava's a Many Splendoured Thing
Episode 5: Promises
Episode 6: Natural Election
Episode 7: John Quixote
Episode 8: I Shrink Therefore I Am
Episode 9: A Prefect Murder
Episode 10: Coup by Clam
Episode 11: Unrealised Reality
Episode 12: Kansas
Episode 13: Terra Firma
Episode 14: Twice Shy
Episode 15: Mental as Anything
Episode 16: Bringing Home the Beacon
Episode 17: A Constellation of Doubt
Episode 18: Prayer
setsuled: (Mouse Sailor)


Farscape dips its toe into the realm of torture porn for a particularly cruel episode. Certainly it's one that affirms the severity of the threats facing the crew of Moya, even when those threats come from among their own ranks.



Season Four, Episode Eighteen: Prayer

We join Aeryn (Claudia Black), held captive by the Scarrans, and apparently talking to herself. She explains how the Sebaceans once had a deity, a sadistic or uncaring goddess, whom Aeryn, in her desperation, now resorts to praying to. One can hardly blame her when she's placed in what looks even more like a gynaecological exam chair than the one from the season two episode "The Ugly Truth".



Claudia Black is quoted by the Farscape wiki as saying it reminded her of something from Dead Ringers, David Cronenberg's movie about deranged twin gynaecologists played by Jeremy Irons. That movie also concerns pregnancy though it indulges in no scene as explicit as the one in "Prayer" where a Scarran heat ray visits a slow and painful death on a foetus.



This was censored in U.K. broadcasts. Speaking as someone who doesn't believe in the usefulness of trigger warnings and who enjoys Eli Roth movies I don't personally object to the content though I find it amusing that, according to the Wiki, David Kemper and production staff felt better about the scene because it's later revealed to be a sham. It was staged to coerce Aeryn into believing her fellow inmate is not a spy. This is surely a rarefied trick of the mind. Regardless of whether Morrock (Sacha Horler) was really pregnant or not within the confines of the story, the violent late term abortion is of course fake. It's a TV show and the foetus is a puppet and any trauma or moral offence incurred seems unlikely to be mollified when the fake violence is revealed much later in the episode to be fake fake violence.



Meanwhile, Crichton (Ben Browder) and Scorpius (Wayne Pygram) are on a mission that's more Saw than Hostel, visiting an alternate reality where they find they must kill alternate versions of Moya's crew in order to find a clue to Aeryn's location. John knows the timeline is fixed, that these people are going to die anyway, but the episode is ambiguous enough on this detail to present a conundrum more thought provoking than the shallow torture puzzle of Saw (I like the Hostel movies much better). It's also great seeing Raelee Hill playing the Stark/Sikozu amalgam. She does a pretty good job imitating the real Stark's mannerisms and ticks.



The episode reminds the viewer of the brutal and unforgiving nature of the galaxy on Farscape. For Aeryn's story, in which she prays Crichton will come and rescue her, it ironically links a more traditional story form--the hero rescuing the damsel in distress--with forsaking religion. In this, there's an interesting echo of "John Quixote" earlier in the season. One wonders if this was part of a planned overall theme for the fourth season from the beginning.

. . .

Farscape is available now on Amazon Prime.

This entry is part of a series I'm writing on
Farscape for the show's 20th anniversary. My previous reviews can be found here (episodes are in the order intended by the show's creators rather than the broadcast order):

Season One:

Episode 1: Pilot
Episode 2: I, E.T.
Episode 3: Exodus from Genesis
Episode 4: Throne for a Loss
Episode 5: Back and Back and Back to the Future
Episode 6: Thank God It's Friday Again
Episode 7: PK Tech Girl
Episode 8: That Old Black Magic
Episode 9: DNA Mad Scientist
Episode 10: They've Got a Secret
Episode 11: Till the Blood Runs Clear
Episode 12: Rhapsody in Blue
Episode 13: The Flax
Episode 14: Jeremiah Crichton
Episode 15: Durka Returns
Episode 16: A Human Reaction
Episode 17: Through the Looking Glass
Episode 18: A Bug's Life
Episode 19: Nerve
Episode 20: The Hidden Memory
Episode 21: Bone to be Wild
Episode 22: Family Ties


Season Two:

Episode 1: Mind the Baby
Episode 2: Vitas Mortis
Episode 3: Taking the Stone
Episode 4: Crackers Don't Matter
Episode 5: Picture If You Will
Episode 6: The Way We Weren't
Episode 7: Home on the Remains
Episode 8: Dream a Little Dream
Episode 9: Out of Their Minds
Episode 10: My Three Crichtons
Episode 11: Look at the Princess, Part I: A Kiss is But a Kiss
Episode 12: Look at the Princess, Part II: I Do, I Think
Episode 13: Look at the Princess, Part III: The Maltese Crichton
Episode 14: Beware of Dog
Episode 15: Won't Get Fooled Again
Episode 16: The Locket
Episode 17: The Ugly Truth
Episode 18: A Clockwork Nebari
Episode 19: Liars, Guns, and Money, Part I: A Not So Simple Plan
Episode 20: Liars, Guns, and Money, Part II: With Friends Like These . . .
Episode 21: Liars, Guns, and Money, Part III: Plan B
Episode 22: Die Me, Dichotomy


Season Three:

Episode 1: Season of Death
Episode 2: Suns and Lovers
Episode 3: Self-Inflicted Wounds, Part I: Would'a, Could'a, Should'a
Episode 4: Self-Inflicted Wounds, Part II: Wait for the Wheel
Episode 5: . . . Different Destinations
Episode 6: Eat Me
Episode 7: Thanks for Sharing
Episode 8: Green Eyed Monster
Episode 9: Losing Time
Episode 10: Relativity
Episode 11: Incubator
Episode 12: Meltdown
Episode 13: Scratch 'n Sniff
Episode 14: Infinite Possibilities, Part I: Daedalus Demands
Episode 15: Infinite Possibilities, Part II: Icarus Abides
Episode 16: Revenging Angel
Episode 17: The Choice
Episode 18: Fractures
Episode 19: I-Yensch, You-Yensch
Episode 20: Into the Lion's Den, Part I: Lambs to the Slaughter
Episode 21: Into the Lion's Den, Part II: Wolf in Sheep's Clothing
Episode 22: A Dog with Two Bones


Season Four

Episode 1: Crichton Kicks
Episode 2: What was Lost, Part I: Sacrifice
Episode 3: What was Lost, Part II: Resurrection
Episode 4: Lava's a Many Splendoured Thing
Episode 5: Promises
Episode 6: Natural Election
Episode 7: John Quixote
Episode 8: I Shrink Therefore I Am
Episode 9: A Prefect Murder
Episode 10: Coup by Clam
Episode 11: Unrealised Reality
Episode 12: Kansas
Episode 13: Terra Firma
Episode 14: Twice Shy
Episode 15: Mental as Anything
Episode 16: Bringing Home the Beacon
Episode 17: A Constellation of Doubt
setsuled: (Frog Leaf)


The second of Farscape's gender team episodes catches up with the ladies on their shopping trip to a budget mandated dead Leviathan. Redressing Moya's sets for the location was probably a necessary measure with so much money clearly having been spent on makeup and costume, a category in which this episode is certainly impressive.



Season Four, Episode Sixteen: Bringing Home the Beacon

Francesca Buller, wife of Ben Browder, returns once again, once again playing a different character. This time she's the memorable Scarran military leader Ahkna, though her outfit suggests something more like Dominatrix Queen. In fact, according to the Wiki, she wore thigh-high boots with two-inch stiletto heels from Sydney's House of Fetish. A pity you can't see her legs in any shot!



A few shots of her from the waist up are the best we get from director Rowan Woods whose tendency to overuse close-ups is sadly in evidence again. But Ahkna's secret meeting with Grayza (Rebecca Riggs) is still pretty cool. We're permitted to watch the two trying to out-dom each other gracefully while negotiating intergalactic politics.



Aeryn (Claudia Black) and Sikozu (Raelee Hill) watch from the rafters, the two pragmatists making a nice team. Meanwhile, Chiana (Gigi Edgley) and Noranti (Melissa Jaffer) are dealing with the two locals they made a deal with for a sensor scrambler of some kind for Moya. Again, the makeup budget is on display when Chiana and Noranti get genetically modified to go incognito.



Chiana looks a bit like she did in "Taking the Stone" while Noranti looks kind of like a caricature of Casey Kasem. Of course they make out at one point to throw off pursuers. Noranti has a lot of business about making drugs from spit and Chiana kisses people to get what she wants. That can be fun but I wish this season had more for Chiana to do. Another episode exploring Nebari culture would have been nice and certainly a few exploring Chiana's character, like "Taking the Stone", would have been a big plus. I think back also to episodes like "My Three Crichtons" or the first part of season three that explored her free sexuality for intelligent and emotional stories. The throwaway gags are fun but there could be so much more to Chiana.

Unlike "Mental as Anything", this episode doesn't completely devote itself to one half of the crew. The male characters return for the last ten minutes and Crichton (Ben Browder) has time to solve a problem with his trademark craziness--a pretty sensible reaction when it turns out Aeryn isn't who she appears to be. It turns out she's a bioloid created by the Scarrans in what appears to be a big taupe vagina. Appropriate, I suppose.



. . .

Farscape is available now on Amazon Prime.

This entry is part of a series I'm writing on
Farscape for the show's 20th anniversary. My previous reviews can be found here (episodes are in the order intended by the show's creators rather than the broadcast order):

Season One:

Episode 1: Pilot
Episode 2: I, E.T.
Episode 3: Exodus from Genesis
Episode 4: Throne for a Loss
Episode 5: Back and Back and Back to the Future
Episode 6: Thank God It's Friday Again
Episode 7: PK Tech Girl
Episode 8: That Old Black Magic
Episode 9: DNA Mad Scientist
Episode 10: They've Got a Secret
Episode 11: Till the Blood Runs Clear
Episode 12: Rhapsody in Blue
Episode 13: The Flax
Episode 14: Jeremiah Crichton
Episode 15: Durka Returns
Episode 16: A Human Reaction
Episode 17: Through the Looking Glass
Episode 18: A Bug's Life
Episode 19: Nerve
Episode 20: The Hidden Memory
Episode 21: Bone to be Wild
Episode 22: Family Ties


Season Two:

Episode 1: Mind the Baby
Episode 2: Vitas Mortis
Episode 3: Taking the Stone
Episode 4: Crackers Don't Matter
Episode 5: Picture If You Will
Episode 6: The Way We Weren't
Episode 7: Home on the Remains
Episode 8: Dream a Little Dream
Episode 9: Out of Their Minds
Episode 10: My Three Crichtons
Episode 11: Look at the Princess, Part I: A Kiss is But a Kiss
Episode 12: Look at the Princess, Part II: I Do, I Think
Episode 13: Look at the Princess, Part III: The Maltese Crichton
Episode 14: Beware of Dog
Episode 15: Won't Get Fooled Again
Episode 16: The Locket
Episode 17: The Ugly Truth
Episode 18: A Clockwork Nebari
Episode 19: Liars, Guns, and Money, Part I: A Not So Simple Plan
Episode 20: Liars, Guns, and Money, Part II: With Friends Like These . . .
Episode 21: Liars, Guns, and Money, Part III: Plan B
Episode 22: Die Me, Dichotomy


Season Three:

Episode 1: Season of Death
Episode 2: Suns and Lovers
Episode 3: Self-Inflicted Wounds, Part I: Would'a, Could'a, Should'a
Episode 4: Self-Inflicted Wounds, Part II: Wait for the Wheel
Episode 5: . . . Different Destinations
Episode 6: Eat Me
Episode 7: Thanks for Sharing
Episode 8: Green Eyed Monster
Episode 9: Losing Time
Episode 10: Relativity
Episode 11: Incubator
Episode 12: Meltdown
Episode 13: Scratch 'n Sniff
Episode 14: Infinite Possibilities, Part I: Daedalus Demands
Episode 15: Infinite Possibilities, Part II: Icarus Abides
Episode 16: Revenging Angel
Episode 17: The Choice
Episode 18: Fractures
Episode 19: I-Yensch, You-Yensch
Episode 20: Into the Lion's Den, Part I: Lambs to the Slaughter
Episode 21: Into the Lion's Den, Part II: Wolf in Sheep's Clothing
Episode 22: A Dog with Two Bones


Season Four

Episode 1: Crichton Kicks
Episode 2: What was Lost, Part I: Sacrifice
Episode 3: What was Lost, Part II: Resurrection
Episode 4: Lava's a Many Splendoured Thing
Episode 5: Promises
Episode 6: Natural Election
Episode 7: John Quixote
Episode 8: I Shrink Therefore I Am
Episode 9: A Prefect Murder
Episode 10: Coup by Clam
Episode 11: Unrealised Reality
Episode 12: Kansas
Episode 13: Terra Firma
Episode 14: Twice Shy
Episode 15: Mental as Anything

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