setsuled: (Doctor Chess)


This past week brought a surprise treat for Doctor Who fans in the form of a new, 13 minute story written by Russell T. Davies, performed on YouTube by several Who and Sarah Jane Adventures actors. Sort of a radio show with visuals, featuring actors in quarantine, the short film observes the anniversary of Elisabeth Sladen's death by finally providing (presumably) canon closure for her character, Sarah Jane Smith. The video is below and it is very sweet:



Interesting there's not one hint of a reference to the newest Doctor Who episodes.

Watching the video prompted me to go back and watch "School Reunion", the Russell T. Davies era episode--actually written by Toby Whithouse--that marked Sarah Jane's first appearance in the revived series.



I'm always amazed when going back to Ninth and Tenth Doctor episodes by how adult the show was. It was kind of an exciting time for grown ups and Doctor Who, both in terms of the show and the Big Finish audios, which were both exploring more adult themes at the time. I suppose the theory was that all the Doctor Who fans were grown up now and the show should follow them into adulthood. Now maybe it's skewed more towards a new audience of kids, though it still manages to feel more infantilised than episodes from the 70s that were ostensibly for kids. "School Reunion" tackles subjects that kids would likely find difficult, boring, or impenetrable. Many of those things are also things adult programming isn't generally allowed to be about anymore, particularly the episode's central source of dramatic tension--the fact that Sarah Jane's age has changed her and that the Doctor (David Tennant) clearly prefers to travel with young, beautiful women like Rose (Billie Piper).



It was really refreshing that the show, in the early Davies era, had the guts to acknowledge and admit what was perfectly clear. From Liz Shaw onward, the Doctor's always had a young, extraordinarily beautiful woman with him, barring a few very brief interludes like The Deadly Assassin. It's silly not to acknowledge it means something. The Eleventh Doctor era kept it up a little while but then things took a turn with the Twelfth Doctor which I wonder now if it wasn't a reaction to a speech Ten has in "School Reunion".



When Rose confronts the Doctor on his evident predilection for picking up young women and abandoning them, he makes a really moving speech about how Rose can spend the rest of her life with him but he can't spend the rest of his life with her--if he stays with any companion, he'll be forced to watch them, as he says, "wither and die." Not so the Twelfth Doctor, with his running gag about being unable to tell how old people are. And this culminated with the Christmas episode that was originally supposed to be Clara's last, when he met her old and on her death bed and, of course, to him, she looked as young as she always had. It's a sweet moment, possibly sweeter if you consider whether Steven Moffat was saying the Doctor subconsciously rewrote his own perceptions so he wouldn't have to face the problem he talks about in "School Reunion."



Of course, needing young people doesn't explain why he needs beautiful young people. But that really shouldn't require explanation, should it?

Twitter Sonnet #1348

A broken step disturbs the spiral case.
Ascending dancers rectify the ghost.
A pilot placed a pillow 'neath the base.
The crackers claimed a flavour like the host.
Neglected hose abandoned mail for night.
Acquired helms contract the head for plays.
Decisive gloves constrict the fingers tight.
Demanding boots can stomp the grass for days.
In craving bread the yeast reserved rewards.
The open store contained a can of Coke.
Behind a shuttered eye were sight accords.
The twisted arm an ancient record broke.
When silver dogs return the bats invade.
In plastic coins are hazard debts repaid.
setsuled: (Doctor Chess)


I think 1974's Monster of Peladon is the greenest Doctor Who serial. Feel free to correct me if I'm wrong. But you've got green Alpha Centauri, green Ice Warriors, and the Doctor's wearing a green smoking jacket, green shirt, and green bow tie. Did they plan on having so much green? Part of me thinks not because, although I like this serial, I suspect the Ice Warriors were brought in halfway through when people realised the plot occupying the first three episodes didn't have legs.



The sequel to Curse of Peladon from two years earlier, the Doctor (Jon Pertwee) returns to the planet Peladon hoping to visit his old friend the King, only to find the TARDIS has carried him 50 years further into Peladon's future than his last visit. The former king's daughter, Thalira (Nina Thomas), is on the throne now, trying to keep the peace between the world's powerful religious order headed by Chancellor Ortron (Frank Gatliff) and miners who are protesting the world's membership in an intergalactic union of planets called the "Federation" (no relation to Star Trek's Federation).



There's certainly a lot of potential in this premise. The story aired two years after a 1972 miners strike in the UK and disagreements among the miners in Monster of Peladon about the amount of violence they ought to employ seems like it was specifically meant to address a very real contemporary issue. With Queen Thalira being the first female ruler, one could draw comparisons to Margaret Thatcher and the miner's strike that occurred ten years later. One could even draw comparisons to Brexit with the political conflict between the miners' belief that the Federation is only exploiting Peladon's resources and the belief of the ruling class in the broader benefits of belonging to an intergalactic community.



Maybe writer Brian Hayles decided he bit off more than he could chew--once the conflict is established with the usual business of the Doctor and companion being captured, escaping, pleading for sanity and reason, and concocting desperate plans and solutions, there's not a who lot of insight into the conflict. The Doctor's companion this time is Sarah Jane Smith, played by Elisabeth Sladen, with whom Pertwee didn't seem to have as much chemistry as he had with Katy Manning or Caroline John. Sarah Jane would really shine later, in Tom Baker's second season, but Sladen does give a decent performance in Monster of Peladon--I was particularly impressed by her ability to mime eating.



There's an interesting scene where Sarah Jane tries to encourage the Queen to be more proactive by telling her about Women's Lib, after which the monarch tries to be a little more assertive in controlling the Chancellor. It's one of those moments that makes the recent Christmas special trying to portray Doctor Who as being so very sexist back in the day seem ridiculous.



But all this is pushed aside by the big green men from Mars, the Ice Warriors, led by Azaxyr (Alan Bennion), who I'm apparently not alone in believing was an influence on Darth Vader.

Imagine you only saw the last two episodes of Monster of Peladon, and then imagine no other Star Wars movie but A New Hope exists. In the Doctor Who serial you have this weird, imposing commander who makes a sudden dramatic appearance, wearing a tapered helmet/mask at all times that no-one questions--we also never see him remove the mask--with tinted lenses over the eyes. Then there's also the cape and the odd breathing, his interactions with space royalty and ambassadors--his calling Alpha Centauri "ambassador" while accusing him/her/it of being a traitor, which we know is true, seems like a dry run for Vader's confrontation with Leia at the beginning of A New Hope.



It could be a coincidence, I suppose.

Anyway, with the Ice Warriors there the plot becomes a lot simpler with all the Peladon factions uniting with Alpha Centauri against the Ice Warriors' illegal faction of the Federation and the main issues of the drama in the first three of six episodes are essentially forgotten. Well, it's a fun story in any case.

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