The Distant Land and the Near Trap

[setsuled]

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Somehow, movies from the 1930s and '40s seem to do a better job portraying the experience of living in a foreign country. One terrific example is 1937's Pepe le Moko, directed by Julien Duvivier and starring Jean Gabin. Gabin plays the titular gangster, a Frenchman hiding out in the Casbah of Algiers where he has the foreigner's peculiar experience of being welcome and rejected at the same time.

Pepe has a strange friendship with Inspector Slimane (Lucas Gridoux), the man intent on arresting him. So long as Pepe remains in the Casbah, Slimane is unable to do so and the two carry on a cold but puckish friendship. Fate finally puts the finger on Pepe in the form of a woman, a tourist named Gaby (Mireille Balin) from Paris. Pepe's conversations with her revolve around reminiscences of Paris. In bed with her, Pepe remarks that for all her loveliness and the fineness of her clothes and jewellery, he values her for how she reminds him of the Metro. She seems to recall for him an old familiar world from which he has long been separated.

Pepe's local lover, Ines (Line Noro), is jealous of Gabby but is more frightened of the vulnerability Gaby creates in Pepe. Slimane spots the same vulnerability and exploits it, manipulating both of the lovers. This leads to a remarkable scene where Pepe, at home, believing Gaby has abandoned him, listens to another exiled Parisian as she sings along with herself on a recording from decades earlier, a song about a past and a better life that is forever out of reach for her. I love how there's no reaction shot of Pepe for the whole scene. Her song is so clearly suited to his mood and situation that to show any reaction would be somehow redundant and cheap.

Pepe le Moko is available on The Criterion Channel.