Mar. 25th, 2026

setsuled: (Mouse Sailor)


Terence Stamp rats on his former comrades in the London mob and is thenceforth marked for death, pursued by John Hurt and Tim Roth in 1984's The Hit. This Stephen Frears film has a surprisingly effective tone of detached, melancholic comedy.

For his courtroom betrayal, Stamp's character, Willie, is rewarded with a new life in Spain under witness protection. However, a pair of hitman working for his old crew track him down, kidnap him, and start driving him to Paris, where they expect to meet up with the boss. At this point the film becomes a road movie.

John Hurt and Tim Roth play the two hitmen, Braddock and Myron. Hurt is cool, detached, and experienced while Roth, whose first film this was, plays Myron as a naive young hoodlum. Willie is surprisingly calm and jovial and subtly starts trying to play his two captors against each other.

Braddock is experienced but he starts making a number of mistakes. He takes a woman hostage, Maggie (Laura del Sol), whom Willie observes ought to have been executed immediately. Both Braddock and Myron seem attracted to her, Myron the more foolishly, but Braddock's hesitation from harming her seems strange when the filmmakers go to such pains to establish him as a cold blooded psycho.

According to Wikipedia, this is one of Wes Anderson's favourite British films and it makes sense with the film's subtly twisted moral comment and delicately comedic chemistry.

The Hit is available on The Criterion Channel.

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